The Guardians are back once again with a new chapter of their adventures. After their painfully average first outing, things were starting to look up in episode two. The story began to branch out, the choices were more thought-provoking, and the characters, well, had more character. Sadly, this uphill trend doesn’t seem to have carried over into episode three, which ends up suffering from several of the same issues that plagued the first episode.
Life is a series of choices. What to do, where to go, how to act, and so on. Some choose to live in the moment, focusing on their pursuits with reckless abandon. Others live for those around them, eager to help in whatever way they can. Regardless, everyone is their own person. It’s easy to look back on a series of events and think, “What if?” For instance, what if you had turned down that job offer? Then again, suppose you were dead broke and days away from ending up on the street. Suddenly, that job offer doesn’t seem like a choice. You may know of some potential repercussions; you may not. The decision remains the same, because, regardless of what hindsight may later tell you, it seems like the only option at the time. Such is the case with Last Day of June, a story-driven title that feels like a puzzle game version of Groundhog Day meets The Butterfly Effect.
The titular Guardians aren’t the only thing under pressure in the second episode of the ongoing point-and-click adventure series. Following a painfully average first outing, Under Pressure is tasked not only with continuing the established story, but also with giving players a reason to care. Featuring new characters and locales alongside some far more dramatic emotional beats, is there enough here to help the series claw its way out from mediocrity?
Telltale Games cut their point-and-click teeth on comedy, with Sam & Max and Strong Bad’s Cool Game for Attractive People becoming early breakout hits. As time went on, though, they headed in a more drama-focused direction, with the most publicized catalyst being the first season of The Walking Dead. Its focus on life-changing decisions made under tight time constraints created an emotional rollercoaster of an experience, with a plethora of scenarios whose outcomes were a far cry from black and white.
With this pedigree behind it, Guardians of the Galaxy: Tangled Up in Blue feels like a huge step back. That’s not to say that it’s a wholly worthless experience, but it feels like a game that largely ignores the developments made by its predecessors.
From its opening moments, OVIVO gave me a sense of déjà vu.
After getting briefly stuck, I learned that pressing the space bar caused my character to flip to the other side of the floor, turning what was once empty space into a new plane to slide along. Immediately, a slew of “yin-yang platformer” flash games came to mind, and I was worried that OVIVO would end up feeling like a generic clone of a tired (though still enjoyable) concept. Thankfully, it revealed itself to be a pleasant, bite-sized game that uses clever mechanics and clean visuals to create a thoroughly compelling experience.
As a storytelling medium, video games are something of a double-edged sword. On the one hand, their interactive nature has the ability to create far more visceral and engaging experiences for players. However, this also brings with it some inherent drawbacks. Budgets need to be allocated not just to production design, but also to programming, QA, and more. Bugs and glitches may spontaneously occur, sucking up massive amounts of time and energy. I bring up this comparison, because Brothers: A Tale of Two Sons stands as a prime example of both. It is hampered in many areas by the restrictions of the medium, with bugs, technical problems, and gameplay issues taking me out of the experience on a number of occasions. Despite this, it manages to feel like a near-perfect pairing of story and gameplay, where each is able to complement and enhance the other.
Generally, when one game adapts ideas from another, it will expand on them. It will add variations and extra wrinkles to the gameplay that were impossible when the original game came out. Sometimes, it will even throw in entirely new ideas that profoundly change the way the core mechanics work. I therefore find it interesting to see a game like Refunct, which seems to draw inspiration from an assortment of free-running games, but particularly Mirror’s Edge. Now, Mirror’s Edge is a game that I played through quite a while ago, but I remember that some of my biggest problems with it were just how big it was. The levels were large and complex, often requiring complex sequences of actions to traverse effectively. There was a lengthy story mode, which meant that some missions felt padded with unnecessary combat sections and other irritating set pieces. It was a good game at its core, but there was just too much of it. Then there’s Refunct, which strips away all the complexity and leaves only the bare necessities. While this scaled-back approach may seem counterproductive at first, I feel that it actually elevates Refunct to be a far more enjoyable experience.
Full disclosure: it is entirely possible that playing ABZÛ was very much a case of “right place, right time”, where this particular point in my life was the perfect moment for me to experience it. Certainly, having a pleasant, zen-like gaming experience is not something that I’m opposed to at the moment. With that out of the way, ABZÛ is one of the most wonderful video game experiences that I have ever had the pleasure of being immersed (heh…heh heh) in.
Simplicity in design is something that can be truly magical for games. Sure, it’s possible to keep things fresh with complex, deep mechanics and ever-changing rulesets. However, experiences that are equally enjoyable (or sometimes moreso) can often come from games that focus on a single idea and do it extremely well. Reigns is a perfect example of this philosophy; the gameplay amounts to little more than “rule a kingdom via Tinder”, yet it still manages to be engaging and intriguing through much of its duration.
Absurdist humour is something that can be very difficult to pull off. If you push things too far, you risk alienating your audience, with the potential exception of the “lol, so random” crowd. If you don’t go far enough, most, if not all of the jokes will just fall flat, since (as the name implies), their humour comes from how utterly absurd they are. Add into the mix the complexity inherent in interactive media, and you have the delicate balancing act that is Jazzpunk.
After a long, tiring day, sometimes it’s nice to sit down with something simple; something that doesn’t involve lots of complicated mechanics.
Luckily, a number of these games have emerged over the last few years, many of them cropping up in the mobile space.
Looking at the vast catalog of such games, it is clear that one of the more common types is that of the endless runner, and it’s in this genre that Pony Island finds itself.
Well, it’s officially 2017 around the world. The start of a new year. Which means that everyone’s looking back on the last year and going, “Well that was a bit toss, wasn’t it?” That is, except for the people who are taking the opportunity to look back at their fond memories from the year past, namely when it comes to video games. There were countless fantastic games that got released last year, so many of which I desperately wanted to try out. Unfortunately, as a university student, there are two things that I severely lack in: money and time. As a result, it is incredibly common that I have to watch as new releases are hyped, released, and enjoyed by the masses, while waiting patiently for the day that they inevitably go on sale and I actually have the time to sit down with them. Some of these games have been sitting in my library for months, awaiting their eventual installation. Others are on my wishlist, hoping to one day be added to my ever-growing backlog. Whatever the case, these are (in no particular order) the games that I wish I had gotten to in 2016. You can also consider this to be a “To play in 2017” list, if that’s your thing. Either way, you’ve probably all already played all of these and think I’m a pleb for not looking at them yet.