Telltale Games cut their point-and-click teeth on comedy, with Sam & Max and Strong Bad’s Cool Game for Attractive People becoming early breakout hits. As time went on, though, they headed in a more drama-focused direction, with the most publicized catalyst being the first season of The Walking Dead. Its focus on life-changing decisions made under tight time constraints created an emotional rollercoaster of an experience, with a plethora of scenarios whose outcomes were a far cry from black and white.
With this pedigree behind it, Guardians of the Galaxy: Tangled Up in Blue feels like a huge step back. That’s not to say that it’s a wholly worthless experience, but it feels like a game that largely ignores the developments made by its predecessors.
“Beware the barrenness of a busy life” is a quote that appeared on my new browser tab this evening. In a way, it’s appropriate. Here I am at 10 PM, realizing that I have no games ready to review, and homework that I should really be working on instead of fixing that. The insanity of the last week has left me feeling at loose ends this weekend, despite knowing full well that I have work to do. Maybe it’s warranted, though. Multiple 1-2 AM nights, one 3:30 AM night (is it even considered night at that point?), and probably something like five litres of hot chocolate. Thinking back, I barely know where half the time went. There were frustrating university assignments, final classes that seemed to last for an eternity, and the joys of crunch time on a video game development project. Yet it’s all just a blur.
On the other hand, I feel motivated. I know that I’ll never truly stop being busy, yet it seems like the worst may be over for the time being. Coming out of last week, I’ve realized that, aside from three exams and presenting the aforementioned video game, I have very little on my plate, at least from a school standpoint. In its place is something that I find far more exciting.Continue reading →
As a storytelling medium, video games are something of a double-edged sword. On the one hand, their interactive nature has the ability to create far more visceral and engaging experiences for players. However, this also brings with it some inherent drawbacks. Budgets need to be allocated not just to production design, but also to programming, QA, and more. Bugs and glitches may spontaneously occur, sucking up massive amounts of time and energy. I bring up this comparison, because Brothers: A Tale of Two Sons stands as a prime example of both. It is hampered in many areas by the restrictions of the medium, with bugs, technical problems, and gameplay issues taking me out of the experience on a number of occasions. Despite this, it manages to feel like a near-perfect pairing of story and gameplay, where each is able to complement and enhance the other. Continue reading →
Absurdist humour is something that can be very difficult to pull off. If you push things too far, you risk alienating your audience, with the potential exception of the “lol, so random” crowd. If you don’t go far enough, most, if not all of the jokes will just fall flat, since (as the name implies), their humour comes from how utterly absurd they are. Add into the mix the complexity inherent in interactive media, and you have the delicate balancing act that is Jazzpunk. Continue reading →
Well, it’s officially 2017 around the world. The start of a new year. Which means that everyone’s looking back on the last year and going, “Well that was a bit toss, wasn’t it?” That is, except for the people who are taking the opportunity to look back at their fond memories from the year past, namely when it comes to video games. There were countless fantastic games that got released last year, so many of which I desperately wanted to try out. Unfortunately, as a university student, there are two things that I severely lack in: money and time. As a result, it is incredibly common that I have to watch as new releases are hyped, released, and enjoyed by the masses, while waiting patiently for the day that they inevitably go on sale and I actually have the time to sit down with them. Some of these games have been sitting in my library for months, awaiting their eventual installation. Others are on my wishlist, hoping to one day be added to my ever-growing backlog. Whatever the case, these are (in no particular order) the games that I wish I had gotten to in 2016. You can also consider this to be a “To play in 2017” list, if that’s your thing. Either way, you’ve probably all already played all of these and think I’m a pleb for not looking at them yet.
The video gaming industry can be a fascinating place full of continuously changing focuses. Case in point: Volume, a dystopian-themed sneak-‘em-up, comes courtesy of a studio whose last game was a platformer whose emotional story was told through an assortment of colourful rectangles. I think it’s safe to say that there’s a bit of a shift present; iterative follow-up project, this is not. However, that’s by no means a bad thing, and Volume serves as an excellent example of how trying new things can yield thoroughly impressive results.Continue reading →